BEGIN:VCALENDAR VERSION:2.0 PRODID:https://github.com/derhansen/sf_event_mgt METHOD:PUBLISH BEGIN:VEVENT UID:1579-64@www.bundesakademie.de CLASS: PUBLIC SUMMARY:Acting Yoga (AY) DESCRIPTION: for ukrainian text see »Materialien« on the right-hand side english spoken workshop. Translation into german and ukrainian possible / Workshop in englischer Sprache. Ãœbersetzung ins Deutsche und ins Ukraini sche möglich Kurzbeschreibung auf deutsch:In diesem Workshop geht es um d ie Kunst des Menschseins. Um Ausstrahlung, Präsenz und die suggestive Kra ft des Erzählens mit und durch den Körper und die ganze Persönlichkeit. Sie lernen Mittel und Wege kennen, souveräne Manager_innen ihrer eigenen Ausdrucksmöglichkeiten zu werden, Bewusstsein über ihre Mittel zu erlang en (Körperlichkeit, Balance in Bewegung, Atem, Stimme, emotionale Intelli genz) und gleichzeitig dabei die innere Harmonie zu bewahren bzw. zu verbe ssern.So erlernen Sie Methoden, mit all dem, was Sie als Persönlichkeit a usmacht, das Publikum zu bewegen und Bilder im Zuschauenden zu erzeugen.De r Workshop richtet sich an professionelle Spieler_innen und Vermittler_inn en in den Darstellenden Künsten aber genauso auch an alle Menschen, die i hre Präsenz in ganzheitlich-humanistischem Sinne intensivieren möchten.W orkshoptext in english:In our understanding, an actor is someone who eleva tes human behavior to the level of an art - the art that is capable to imp ress, the art that is full of images and transformations.So, in order for the actor to be able to create real impressive images, he/she needs the sk ills of an expert player and a »cool tool«: He/she must be both a player and an instrument of his/her creative art. In general, we distinguish thr ee hypostases of a real actor.1. The actual inner actor, as the operator o f his own means of expression.2. The inner dramaturge, as a keeper and »r ethinker« of one's own experience of impressions. The one who takes care of the dramaturgical score of acting.3. The inner director, as the adminis trator of all behavioral and mental processes.In order to develop the acto r's internal operational skills, our school has developed a special traini ng practice, which was named: the »Acting Yoga« class. Acting Yoga (AY) is an unusual combination of two words in one name: Actor’s action is ge nerally considered to be presentational, demonstrative, extroverted, direc ted outwards and Yoga with its many meanings: »union«, »unity«, »harm ony«, »connection« – is a practice that directs our inner gaze, atten tion deep inside, into our very human being.In our opinion, the actor's re sponsibility is primarily the operational management of one’s own means of expression. It is self-directed leadership, developed personalism and a n initiative directed towards one’s self.The AY training harmonizes and operationally combines various actor’s external manifestations, primaril y by bringing behavior out of an automatic, unconscious mode into a consci ous, controlled one. Control, in this case, is not an option that narrows, limits or in some way impoverishes the possible variety of manifestations , but »opens the eyes« to the entire system of actor's acting tools in i ts complex interaction.AY consists of pantomime, choreographic and statuar y corporal practices, combined with breathing, voice and other techniques. AY includes four main parts:1. Coordination Gymnastic;2. Body’s Acousti c;3. Emotional Intelligence in Action (or »Zen of Tension«*);4. Work in Non-Equilibrium (»Gravitational Sufism«*).*we use the terms »Yoga«, » Zen«, »Sufism« with respect, not in a religious sense, but only in a ut ilitarian sense, given their effective semantic value. Coordination Gymnas tic: Exercises aimed at a transition from automatic movement to the direct ly controlled one. Development of an operational competence in managing on e's own physical processes. Accepting one’s self and one’s own body, a s the most valuable object of management. Love and interest to one's own b ody as to the tool/instrument of self-expression. Body’s Acoustic: Breat hing and vocal yoga.Incorporating the sound of the entire human body into vibration. The acoustic nature of sound inside and outside the human body. Good sound relies on proper breathing. Mastering our own interception ri ght in the middle of the breathing-relaxation process - is real breathing yoga. The perfect operation of the sound of vowels in combination with con sonants in the entire voice range is a result achieved and maintained by t he practice of voice and breathing yoga. Emotional Intelligence in Action, »Zen of the Tensions«: We study the connections or correlations of the various emotional states of a person with the »map of tensions« of the b ody, their dynamics. We learn to fill our movement, our choreography with emotional tension. Tension-relaxation in their dynamic fluidity, turns int o an attractive energetic magnetic performance. A practical bonus of worki ng with tensions is a training in drawing one's own attention to different bodily locations and observing them in action and non-action. Balance. Wo rk in Imbalance. »Gravitational Sufism«: We always have »next« to us a n unpredictable partner, a coach. This partner is gravity. We consciously look for such positions of our body, in which it is difficult to maintain balance/equilibrium. The goal of the training is to find such a choreograp hy, such a movement, which would »prevent« the loss of balance. We play with gravity to find today's »winning tactics« of our movements. This co ntributes to the discovery of the ability to trust the body to find its ow n rhythms, patterns, energy of movements. The metaphorization of such work leads to a very interesting practice - spontaneity in plastic improvisati on.AY is a combination of movement and immobility, voice and breathing, te nsion and relaxation, aimed at the development of internal discipline, ord erliness of actions and external expressiveness. AY relieves body and voic e clamps, normalizes breathing, returns control of internal tensions, deve lops coherence of the physical actions, brings the body to a state of prod uctive tone and harmonizes the entire psycho-emotional system of the actor . Each lesson of the AY class is practical, conducted in a training format and has its own independent value as a physical health practice that incr eases the physical and general somatic culture of a person.You can learn m ore about the School of Imagery and our courses at https://shkobr.com.ua/ Members of the GDBA receive a 20% discount. Please indicate your membershi p number in the registration process. Dieser Kurs ist mit 16 U.-Std. aner kannt im BuT-zertifizierten Fortbildungsprogramm „Spielleitung im Amateu rtheater“bzw. „Schauspiel im Amateurtheater“des BDAT im Modul „Sch auspiel“,Lehrinhalt Theaterformen I.Mitglieder des BDAT erhalten eine Er mäßigung in Höhe von 10%. Bitte tragen Sie im Anmeldeformular im Feld â €žInstitution“ den Namen der Mitgliedsbühne und des Mitgliedsverbands i m BDAT ein. Der Rabatt wird Ihnen dann bei Rechnungsstellung gewährt. LOCATION:Schloss DTSTART:20240623T140000Z DTEND:20240625T103000Z END:VEVENT END:VCALENDAR